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Sit Down! DOWNLOAD >>> https://tinurll.com/2tEjW2 The music video for the original 1989 Rough Trade release was directed by Ed Barton. Set against a white background, with Tim Booth singing and the band performing the song. At one point Booth hugs a sheep and various shady-looking individuals sit down next to him. The video received a Musicians Union ban for two weeks, as it featured Jim Glennie impersonating a drummer, and thus taking someone else's job.[9] 1936 would prove pivotal. In July of 1936 there were hundreds of deaths in auto plants in Michigan that were thought to be a result of a heat wave combined with difficult working conditions3. On November 12, 1936, three welders participated in a "quickie sit-down" strike and were fired when they arrived to work the next day. Their firing resulted in a sit-down protest of 700 men on November 13 at the Fisher Body No. 1, until the the three men were rehired later that day. This success "had an electrifying effect on Flint's auto workers," and saw United Automobile Workers union membership growing from approximately 150 to 1500.4 On December 30, 1936, General Motors workers started their sit down strike, which at the time was legal, gaining control of the Body Plant Number One in Flint. On January 1, 1937, workers controlled a second Plant in Flint. Although the strike was gaining power, some of the General Motors' plants were still running - most notably Chevy Plant Number Four, the largest plant owned by GM. But on February 1, 1937, the striking workers took control of this plant. This was the first major victory for unionization in America's history and its consequences were dramatic; within two weeks, 87 sit down strikes started in Detroit alone. Packard, Goodyear, and Goodrich announced immediate wage increases. Within a year, membership in United Auto Workers grew from 30,000 to 500,000 and wages for autoworkers increased by as much as 300%. This strike marked the beginning of decade of intense union activity.6 Sit-down strikes spread from the auto industry to other industries, such as laundries and cigar factories. Governor Murphy repeatedly urged negotiation and refused to use force to settle disputes. The Sit-Down Strike was ultimately successful and peacefully resolved because both sides compromised. "that is done or which involves sitting down," 1836 in reference to meals; 1936 in reference to strikes where the workplace is occupied; from the verbal phrase meaning "take a seat, seat oneself" (c. 1200), from sit (v.) + down (adv.). Sit down (v.) meaning "put up (with)" is attested from c. 1600, hence to (not) take something sitting down. As a noun, sit-down "act of sitting down" is from 1861, especially a sitting down together for friendly or social intercourse. "To be or remain in that posture in which the weight of the body rests upon the posteriors" [OED], Middle English sitten, from Old English sittan "occupy a seat, be seated, sit down, seat oneself; remain, continue; settle, encamp; lie in wait; besiege" (class V strong verb; past tense sæt, past participle seten), from Proto-Germanic *setjan (source also of Old Saxon sittian, Old Norse sitja, Danish sidde, Old Frisian sitta, Middle Dutch sitten, Dutch zitten, Old High German sizzan, German sitzen, Gothic sitan), from PIE root *sed- (1) "to sit." "in a descending direction, from a higher to a lower place, degree, or condition," late Old English shortened form of Old English ofdune "downwards," originally of dune "off from (the) hill," from dune "from the hill," dative of dun "hill" (see down (n.2)). The "hill" word is general in Germanic, but this sense development is peculiar to English. As a preposition, "in a descending direction upon or along," from late 14c. To be down on "express disapproval of" is by 1851. Down home is from 1828 as "in one's home region," as an adjective phrase meaning "unpretentious" by 1931, American English. Down the hatch as a toast is from 1931. Down to the wire is 1901, from horse-racing. In the first documented book-length study of this violent confrontation, Sidney Fine portrays the dramatic events of the 1936-37 strike that catapulted the UAW into prominence and touched off a wave of sit-down strikes across the land. Basing his account on an impressive variety of manuscript sources, the author analyzes the strategy and tactics of GM and the UAW, describes the life of the workers in the occupied plants, and examines the troubled governmental and public reaction to the alleged breakdown of law and order in the strikes. In addition, Dr. Fine provides vivid portraits of Governor Frank Murphy and the major figures on both sides of the conflict: Alfred Sloan, Jr., William Knudson, Robert Travis, Roy Victor, and Walter Reuther, Homer Martin, and Wyndham Mortimer. Of particular interest today are the author's concluding remarks regarding the similarities between the sit-down strike movement of the 1930's and the civil rights movement and the college sit-ins of our own era. The GM sit-down strike marks the close of one era of labor-management relations in the United States and the beginning of another. Professor Fine has provided us with the definitive account of that momentous conflict. Sit-down strikes became a favorite tactic of unions during the 1930s. The basic idea was for workers to stop what they were doing on the assembly line and bring all production to a halt. The workers then, in effect, occupied the factory. This lessened the chance of strike-breakers taking over their jobs. The sit-down strike against GM in Flint, Michigan was well organized by the UAW. Up to 2,000 men occupied three GM plants during the strike. All the sit-downers were assigned specific duties each day. Some became members of plant police patrols or fire squads. Committees were set up to arrange for the delivery of food. Rules of behavior were posted: no liquor, no yelling, no guns, and no damage to company property. Workers enforced these rules. The men passed their time playing cards, reading, and attending union-taught classes in labor history and public speaking. The workers sang to keep up their morale and professional entertainers even entered the plants to perform for the sit-downers. The men slept inside the car bodies that sat unmoving on the stalled assembly lines. On January 22, 1937, 12 days after the strike began, about 100 strikers occupied the second floor of the Fisher Body Plant where the sit-down had started. Another 150 strikers and sympathizers picketed outside the plant in 16-degree weather. Trouble began when GM officials ordered the heat turned off in the plant. A stalemate followed. The strikers remained in control of the plant. The police held a position a short distance down Chevrolet Avenue. The police did not charge again, but began to lob long-distance gas grenades at the strikers. On February 1, 1937, a Flint judge issued a court order declaring sit-downs and even peaceful picketing illegal in Michigan. This order put pressure on Governor Murphy to end the strike by using force if necessary. Still, the governor delayed action against the strikers and called for talks between GM and the UAW. Governor Murphy worked day and night to hammer out an agreement. President Roosevelt telephoned both GM and the UAW encouraging a compromise. Finally, on February 11, GM agreed to negotiate a labor contract for all UAW members in all its plants. Furthermore, the company promised not to interfere with UAW efforts to sign up new members in GM factories. In exchange, the union agreed to end the sit-down strike and get the production of cars moving again. The sit-downers had won a great victory, not only for themselves but for the entire labor movement in the United States. GM auto workers, originally reluctant to join the UAW, now signed up by the thousands in Flint and other cities. Shortly after the GM strike ended, the UAW called a strike against the second largest automaker in the U.S., Chrysler Corporation. A month later Chrysler gave in and agreed to negotiate a contract with the UAW. Soon, thousands more in other industries began joining unions. Questions about the rights of workers to organize and strike have come before the courts on many occasions. In 1937, the Supreme Court had to decide whether sit-down strikes as described in this article were legal. Recreate that case with the following brainstorm activity. In 1936 and 1937, the UAW argued that sit-downs were legal since GM and other companies refused to obey labor laws, including the Wagner Act. Most employers viewed the sit-down as little more than trespassing. The facts of one sit-down strike in 1937 led to a U.S. Supreme Court case. Select nine students to take the roles of Supreme Court justices. Divide the rest of the class into groups of three or four students each. Half of these will represent the sit-downers position, the other half will represent Fansteel. Truett's Grill was originally opened in 1996 to commemorate Truett Cathy's 50th anniversary as a restauranteur. There are now three locations in Georgia, and the restaurant has the look and feel of a 1950s diner. Truett's Grill offers sit down, counter and drive-thru service, and features the full Chick-fil-A menu alongside Southern dishes including Fried Okra and Collard Greens. Founded by Truett Cathy in 1946, the Hapeville Dwarf House (originally named the Dwarf Grill) is the birthplace of the Original Chick-fil-A® Chicken Sandwich. The classic diner offers sit down, counter and drive-thru service. The restaurant serves items from Truett's original menu (including hamburgers!) along with the Chick-fil-A menu. Shortly after opening the first freestanding Chick-fil-A® in 1986, founder Truett Cathy created a new restaurant that replicated his first restaurant, the Dwarf Grill. Beginning in the late 1980s and through the early 1990s, Cathy oversaw the construction of multiple Dwarf House restaurants located around the metro Atlanta area. Designed to honor the history of the Chick-fil-A franchise, these restaurants offer sit down, counter and drive-thru service. 781b155fdc

Evil Genius 2: World Domination Click Here - https://urlgoal.com/2tE0r7 In Evil Genius 2, the player is tasked to construct a criminal lair on a tropical island in order to build a doomsday device secretly while operating a casino as a cover.[3] Players have to construct different rooms, infrastructure and amenities to support the operation of the base and unlock new operations, and set up traps that kill infiltrating agents and maintain the base's defenses.[4] There are four evil geniuses for players to choose from at the beginning of the game, each of whom has their own unique missions, specialties and doomsday devices. Players also need to choose from three islands which have different designs and features.[5] Inside the base, the players can train various minions into three different classes: Muscle, Deception, and Science. Each minion has unique personalities and traits. For instance, some minions are more observant than others, allowing them to detect suspicious individuals.[4] The game takes place across three distinct islands, with players choosing from four unique geniuses who are looking to inevitably reap the success of world domination. For me, the classic villain and cover star Maximillian was always going to be my genius of choice, but for those wanting a little variety, there are essentially multiple playthroughs available with each genius offering a slightly different playstyle to change up the feel of things each time. Evil Genius 2 presents you with a choice of four different geniuses. Each of which has unique powers, specialties, doomsday devices, and paths to world domination. Certain aspects of any campaign will always be the same. But main objectives, and most importantly doomsday devices differ, and those differences matter. Just like its predecessor, Evil Genius 2 is set in an alternate version of the 1960s/70s, in which devious Geniuses attempt world domination while being opposed by the Forces of Justice. This theme is carried beautifully by the game's sense of style and humor, which are two of its strongest features. Once players have arrived on their new home, they'll quickly settle into managing their evil Lair. With a building system that will be familiar to fans of titles like Two Point Hospital and Rimworld, players will expand their Lair with new rooms, as well as provide for and train their Minions. The number of room options can be daunting, but the tutorial does a good job of introducing them slowly and guiding players through the essentials of Lair management. It's also well-supplemented throughout the game by a system that generates random Optional Objectives, steering players towards activities or expansions that they may not have considered. Neither setting requires any additional installation and for the majority of gamers, the difference is likely to be minor. It will really come down to personal choice. There is no wrong choice and whichever button you choose will quickly allow you to board the helicopter to your new island and begin your plans for world domination. Parents need to know that Evil Genius 2: World Domination is a real-time strategy game available for download on Windows based PCs. The sequel to 2004's Evil Genius casts players in the role of a supervillain as they build and defend their evil lair, raise an army, recruit henchmen, and build a doomsday device with the goal of taking over the world. Being a supervillain means that you'll commit violence to further your schemes, though in keeping with game's humor, most of the violence is tongue-in-cheek and slapstick in nature with nothing being overly graphic. Each lair has a casino as a front, showing characters gambling and occasionally drinking alcohol. Finally, parents should know that the game will be supported with additional content packs, some free and some paid. EVIL GENIUS 2: WORLD DOMINATION asks a simple question: Do you have what it takes to be a megalomaniacal supervillain You build your criminal empire from the relative safety and sanctuary of your personal evil lair. But being a criminal mastermind isn't just making lofty demands and practicing your sinister laugh. No, it takes a lot of hard work and planning to take over the world. There are minions to train, henchmen to hire, agents to brainwash, and an entire population to bend to your iron will. All the while, you'll need to fund your evil schemes with ill-gotten gains, expand your base to meet all your supervillain needs, and, of course, continue the R&D on the doomsday device that's key to your world domination. You'll choose from four criminal masterminds, each with his or her own unique specializations and abilities, then play through their quirky campaign of villainy, or play at your own pace and by your own rules in the game's sandbox mode. It's up to you to teach those pesky do-gooders that instead of saving the world, it's so much more fun to simply rule it. It's a fantastic game to watch in motion, which is as well because after this feast of construction comes something of a fallow patch. Once you've built your Inner Sanctum, Evil Genius 2 falls into a holding pattern as your scientists slowly research new traps, upgrades and room objects, while you begin to grapple with your ultimate goal of world domination. A genius never sleeps, at least not one hellbent of total world domination, and there are plenty of spinning plates to balance at any one time. None are more important than your Schemes in the Global Operations segment of the game. Returning players will already understand the importance of keeping an ever attentive eye on this tactical map, since it can be the difference between a decisive victory and a long, painful grind to see your diabolical plans to fruition. Build your own unique evil lair and cover operation, Train a force of criminal minions, Defend your Lair from the Forces of Justice, and Dominate the world with a Doomsday Device in this direct sequel to the 2004 cult classic! Carry out evil schemes to further your plot to build a Doomsday Device and dominate the world! Sell the British Royal Family, Kidnap the Governor of Maine, and literally BAKE ALASKA. With hundreds of potential objectives, variety is the spice of strife. Evil Genius 2 comes with two modes, those being the main campaign and a Sandbox mode. The sandbox does what it says on the tin, with everything available to you at the start with unlimited money. The campaign does act as a thorough tutorial in the first few hours and it is worth playing to get to grips with how everything works. You slowly build your base, workforce, learn about research and how to play through missions on the world stage. The campaign comes with a narrative through line with the aim of world domination. To convey this, there are multiple static conversations at key moments which act as cutscenes. These interactions between characters are usually humorous, engaging and livens up the heroes. Maximilian comes across as an egotistical, callous maniac and the workers are usually dim and feeble. Guards are just hulking brutes who want to hit things and deception minions are calculating and conniving. Evil Genius 2: World Domination is a base management and world domination simulator that gives players the chance to plot world domination one minion at a time with all the swagger and aesthetic of your favorite Bond villain. As with any basic world domination scheme, you cannot let your enemies know exactly what you are plotting. Thus, a business front is born and scheming can begin. In Evil Genius 2, the casino used as a front for the whole operation is already set up, so players get to begin basic base building from the jump. There are areas of the map that are unable to be excavated and developed without the proper research upgrades, so some future planning is required. In the full game, you will be able to choose between four evil geniuses, each with a separate storyline and different specialities, but the preview code only allowed us to play as Maximilian (familiar to those who played the original game), a narcissistic, monocled despot obsessed by global domination. In order to acquire the means of training your minions, you employ a tried and tested evil genius method: kidnapping people with the right knowledge and torturing it out of them during interrogation. This necessitates trips to Global Operations, to launch those kidnap heists. 781b155fdc

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Music Man Reflex Bass Buy LINK >>> https://bltlly.com/2tDoaP Though it may look like one on its surface, the Game Changer Reflex is no ordinary bass guitar. Equipped with the new Game Changer pickup switching system, the Game Changer Reflex bass will give you an unprecedented number of tonal options in addition to the superb playability players are accustomed to from a Music Man bass.With the Game Changer Reflex four-string bass guitar, players can unlock their instruments' tonal possibilities with the patent-pending Game Changer pickup switching system. Combining any order of pickup coils in series, parallel, in- or out-of-phase gives you access to the most extensive library of never-before-heard tones. Imagine having complete tonal control of your instrument without manually rewiring anything! True to form, the audio signal is never digitized or modeled in any way, providing a transparent analog signal path for the absolute purist. In conjunction with The Game Changer website, you can create, save, and share your tonal selections with the world!The Game Changer Reflex bass has an ash body with a maple top and mahogany Tone Block. The select maple neck is available with either a rosewood or maple fretboard with 22 high-profile, wide frets. The neck uses five bolts to provide perfect alignment with no shifting, and the sculpted neck joint allows smooth access to the higher frets. Dual humbucking pickups with ceramic magnets and a 4-band active EQ work in tandem with the Game Changer system. Includes case Also want, can't afford. Indeed it is a thing of beauty - even the black one, because it has white binding and looks very nice.I played one once for a long time through headphones - quite a lightweight bass and some fantastic sounds in there. Active/passive; series/parallel, coil combination selectors plus 4 band EQ - what more could you want?Well a Reflex Gamechanger.............some very interesting sound samples been posted on the Musicman website using combinations of coils out of phase and in phase. I think I'm going to have to get one of these at some point. [quote name='molan' timestamp='1342864334' post='1741943']Balance wasn't great though and values plummet like crazy for used ones [/quote]I thought the balance was nice on the one I played - in fact as good if not better than my Bongo.I haven't seen a used one for sale yet - come to think of it, I've never seen a new one for sale in a shop either!! Maybe a good bet to get one used then. You guys should see the white one with black binding - now that is a classy looking bass! [quote name='molan' timestamp='1342864334' post='1741943']I've played one and thought it was really versatile and had a lot of useful tones quickly available simply by jabbing a button Balance wasn't great though and values plummet like crazy for used ones [/quote]I would be very intrested to know if it was a four or a five string that you tried. Perhaps the five string might be a bit more prone to neck -diving because of the bigger neck ( I think the dimensions of the body are the same on four and five string models). If dr T Stingray played a four string and Molan had played a five that might explain the divergence of experience in respect of the balance of this bass. [quote name='molan' timestamp='1342970941' post='1743270']I think it was a 5 I tried.Part of the issue for me was the small body size and the position of the upper strap button up over the 14th/15th fret.[/quote]I take your point about the strap button position and body shape ; I have always loved the sound ( and look) of Warwick Thumb basses but the combination of the compact body, 26 fret neck and short tophorn has meant that the ergonomics have always prevented me from buying one. I think the 22 fret neck on the Reflex prevents it from feeling as ungainly as a Thumb bass in that respect . There a couple of video links of Bass Direct site, but they aren't too impressive. There are elsewhere 3 You Tube Videos hosted by Sterling Ball interviewing both Musicman guitarists and bass players alike, they are much much better. I liked the bit with Tony Levin who seems well impressed with the Game Changer. I think the videos are titled The Game Changer Part 1 etc.ATB, Paul. This bass is in very good condition, neck and frets are fine, electronics are fully functional. Cosmetically the finish has a little hazing on the back & sides that is hard to photograph, but it does show a bit in the photos. The 25th Anniversary Music Man Reflex features a gorgeous Quilt Maple Top with an Ash body, and the HSS design with the Active/Passive options makes it a very versatile bass. The Music Man design team has engineered optimal contours, weight, and balance, making the 25th anniversary bass very comfortable to play. Music Man is an American guitar and bass guitar manufacturer. Originally formed in 1971 by Forrest White and Tom Walker, along with Leo Fender as a silent partner, the company started manufacturing electric and bass guitars under the Music Man name in 1974. In 1984 it was acquired by Ernie Ball. In 1975, Fender's legal restriction expired and, after a vote of the board, he was named the president of Music Man. Fender also operated a consulting firm, CLF Research, in Fullerton, California. By 1976, it had built a manufacturing facility for musical instruments, and was contracted to make Music Man products. In June 1976, production started on guitars and in August basses followed. These instruments were designed by Fender and White. The 1976 catalogue shows the first offerings: a two-pickup guitar, the StingRay 1, and the StingRay bass. Both instruments featured bolt-on neck designs. The basses featured a distinctive 3+1 tuner arrangement to help eliminate "dead spots," while the guitars came with a traditional, Fender-style 6-on-a-side tuner array. The StingRay Bass featured a single large humbucking pickup (located somewhat toward but not adjacent to the bridge) with a two-band fixed-frequency EQ. A row of string mutes sat on the bridge. Basses were produced in fretted and fretless versions. Tom Walker played a large part in the design of the bass preamp. They were the first production guitar and basses to use active electronics which could boost levels in selected frequency bands. The preamps were coated with epoxy to prevent reverse engineering. The StingRay Bass sold well, but the guitar met with little success. In December 1978, a two-pickup bass was introduced called the Sabre (discontinued in 1991). A redesigned guitar bearing the same name followed. Both sold poorly.[citation needed] CLF Research and Music Man were treated as separate companies, CLF was headed by Fender, White and Walker headed Music Man. Fender made the guitars and basses, while White and Walker's company made the amplifiers and sold accessories. The instruments were made at CLF and shipped to the Music Man warehouse, where each instrument was inspected and tested. Problems with fibers in the finish caused Music Man's inspectors to reject a high percentage of the instruments, and return them to CLF for refinishing. Since Music Man didn't pay CLF Research until the instrument finishes were deemed acceptable, a rift developed between CLF and Music Man over payment. In November 1979, were cut with Leo Fender, who disliked Music Man's pressure. A contract was given to Grover Jackson to build bass bodies and assemble the instruments with CLF necks and the remaining CLF hardware. When CLF stopped making necks Jackson made those also. Ernie Ball had started producing a modern acoustic bass guitar in 1972 under the name Earthwood. Ball's partner in this company was George Fullerton. The factory, which Ball still owned at the time of the Music Man purchase, was located in San Luis Obispo, California and that is where Music Man started producing basses in 1985. Ernie Ball Music Man improved their visibility in the guitar market with a succession of new guitar models, which were largely player-endorsed. They also introduced a series of new electric bass models. Despite this, none of these could compete against Fender or Gibson on sales figures. As a replacement for the OLP instruments, the company developed an in-house line of guitars and basses. Initially branded as S.U.B. for "Sport Utility Bass," this became the non-acronym "SUB" after two models of six-string guitar were launched. This mid-range line, with production cost one-third to one-half less than the "standard" Music Man instruments, was launched in 2003, with the goal of proving that a quality instrument without the bells and whistles could be made in the USA. Produced at the same facilities as the Music Man models, the major defining factors of the SUBs were a non-angled "slab" body finished with a textured (non-polished) paint, as well as necks with a matte painted back instead of the "oil and wax" finish applied to the higher-end models. Savings were realized largely from reduced production time, as opposed to cutting the quality of the wood, hardware, or electronics, allowing the SUB lines to achieve their price-point. The product was a success, and supported Music Man when its main line was in a slump. The SUB models were eventually discontinued in September 2006. Sterling Ball commented that, due to the quickly growing $1,000+ segment of the guitar industry, there were fewer and fewer SUBs in production each year. Music Man introduced the Sterling bass as a smaller, lighter alternative to the Stingray in July 1993. The Sterling also had a slimmer neck profile with 22 frets and a triple-coil pickup with a 3 way switch. The pickup could operate as a standard Humbucker in series and parallel mode and utilized a "phantom-coil" when in single coil mode. 2003 saw the introduction of the Music Man Bongo Bass, the result of a partnership with DesignworksUSA, a design firm better known for its work with BMW. This bass features a 24-fret rosewood fingerboard with "moon"-shaped inlays and a four-band active EQ powered by an 18V supply. The Bongo was made available with four or five strings, in fretted or fretless and left-handed versions, with the choice of HS (humbucker/single-coil), HH (dual humbuckers), and H (single humbucker, the traditional Music Man setup) pickup configurations and a pickup blend pot for ultimate versatility. These pickup configurations were adopted on other Music Man models three years later, using a five-way pickup selector with coil-tap capabilities. 781b155fdc